Design - The Punctuation at the End of the ’50s - NYTimes.com

The poet Robert Lowell was heir to a New England literary tradition that included Herman Melville, a connoisseur of the metaphor and the metaphysics of finned creatures. In “For the Union Dead” in 1960, Lowell saw something sinister, even sinful, in the tailfin:

The poet Robert Lowell was heir to a New England literary tradition that included Herman Melville, a connoisseur of the metaphor and the metaphysics of finned creatures. In “For the Union Dead” in 1960, Lowell saw something sinister, even sinful, in the tailfin:
““....Everywhere,
giant finned cars nose forward like fish;
a savage servility
slides by on grease.”
Powered by ScribeFire.
0 comments:
Post a Comment