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Showing posts with label photography. Show all posts
Showing posts with label photography. Show all posts

Monday, August 17, 2009

Dorothea Lange: Cropper, 1937

Americus: 1937 | Shorpy Photo Archive


July 1937. "Thirteen-year old sharecropper boy near Americus, Georgia." Medium-format nitrate negative by Dorothea Lange.
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Sunday, August 16, 2009

View of the French Market, New Orleans, Late 19th Century

The Old French Market | Shorpy Photo Archive




Circa 1880s-1890s. "The old French Market, New Orleans." Photo by William Henry Jackson. Detroit Publishing Co. glass negative.
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Saturday, August 15, 2009

That Face A Landscape of the Moon? Carol Lombard

That Obscure Object


Carole Lombard on Her Beauty:

“You ought to see the map for my face in the Makeup Department. It looks like a landscape of the moon.”



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Photo by Dorothea Lang: Reaping the Dustbowl Whirlwind

In the Cotton: 1935 | Shorpy Photo Archive


June 1935. Somewhere in California. "Motherless migrant children. They work in the cotton." Medium-format nitrate negative by Dorothea Lange for the Resettlement Administration.
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Field Embalming, Virginia 1864

Embalming Without Odor: 1864 | Shorpy Photo Archive



Circa 1864. "Dr. Bunnell's embalming establishment in the field. Army of the James." Wet-plate glass negative, half of stereograph pair.Technorati Tags: , , ,

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Friday, August 14, 2009

Man Ray, Photographer

adski_kafeteri: Man Ray, Tamiris c. 1929


Man Ray, Tamiris c. 1929
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Jazz Photography by Jimmy Katz

Riffing in Black and White - ArtsBeat Blog - NYTimes.com

Ornette Coleman: Photo by Jimmy Katz

Daniel J. Wakin writes:

A jazz musician takes musical matter and, without much detailed planning or many written notes, spins out lines into uncharted space. The great ones surprise us as their solos unwind, but their sound is always identifiable. Jimmy Katz, the photographer who generally works with his wife Dena Katz, compares their picture-taking to that kind of music-making. They struggle, he says, to capture spontaneity and maintain a consistent look.
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Photography: Washington D.C., 1942

The "Pleasantville" Effect | Shorpy Photo Archive


Shorpy writes:

A splash of color added to Ester Bubley's 1943 photograph of a Washington, D. C. working girl as enjoyed on Shorpy. What were her dreams and aspirations? Was she married or hoping to be married soon? Was her husband or boy friend in the military? What happened to her life after the war? Too many questions, too few answers.
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Thursday, August 13, 2009

Photography: New York Light and Dark

Art Review - 'New York Photographs' - Frozen in Time, a City in Flux, at Bonni Benrubi, Yossi Milo, Laurence Miller and More - NYTimes.com


Ken Johnson writes:

Last winter, when the art economy was looking especially dark, a group of Manhattan photography dealers got together and decided to put on a spirit-lifting show: “New York Photographs,” a summertime tribute to the greatest city on earth. Thirteen galleries agreed to mount exhibitions — some dedicated to individual artists, some to subjects like sex or music — of which six are currently up. Together they offer a tantalizing series of glimpses, a dreamy tour of the town from the Statue of Liberty to the streets of Spanish Harlem and from the hurly-burly of Times Square to the furtive sexual encounters of the old West Side piers. They are a reminder, for anyone who needs it, of the endless churn of dark and light, innocence and experience that surrounds all of us in the city at every moment.
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The Herd

adski_kafeteri: ***




“Morality is the herd-instinct in the individual.” --Nietzsche


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Automagic Pin Setter, 1943

Alley Cat: 1943 | Shorpy Photo Archive



April 1943. Washington, D.C. "Pin boy at a bowling alley." Nitrate negative by Esther Bubley for the Office of War Information.
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Victoria Crater, Mars

Image of the Day: Mars' Victoria Crater



The Daily Galaxy writes:

This image of the Victoria Impact Crater in the Meridiani Planum region of Mars was taken by the High Resolution Imaging Science Experiment (HiRISE) camera on NASA's Mars Reconnaissance Orbiter at more of a sideways angle than earlier orbital images of this crater. The camera pointing was 22 degrees east of straight down, yielding a view comparable to looking at the landscape out an airplane window. The crater is named after Victoria -one of the five ships of Ferdinand Magellan and the first ship to circumnavigate the globe . Along the edges of the crater are many outcrops within recessed alcoves and promontories, named for bays and capes that Magellan discovered. Opportunity traveled for 21 months to Victoria before finally reaching its edge on September 26, 2006.
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Wednesday, August 12, 2009

Girl Scouts for the Cause: War Gardening,1918

War Gardeners: 1918 | Shorpy Photo Archive


Washington, D.C., or vicinity, 1918. "Nat'l Emergency War Garden Commission. Girl Scouts and others." Harris & Ewing Collection glass negative.
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Chaplin on Break

CONSTANT SIEGE - Charlie Chaplin on the set of ‘Payday’ 1922 True:...



Charlie Chaplin on the set of ‘Payday’ 1922

Constant Seige writes:

True: In 1978 Chaplin’s becoffined corpse was dug up and held hostage for almost three months by two Eastern European men, who tried to ransom it for more than half a million dollars.
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Tuesday, August 11, 2009

1923: The Three Fates of Washington


'23 Skidoo | Shorpy Photo Archive
1923. Washington, D.C. "Unidentified women." There are two glass negatives of these lovely ladies; the caption labels are blank. National Photo.

[These three would fit rather well in a hippie commune @1966. . . .]
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Monday, August 10, 2009

RIP Marcey Jacobson, Photographer

Marcey Jacobson, Photographer of Mexican Indians, Dies at 97 - Obituary (Obit) - NYTimes.com

photo by Marcey Jacobson

Marcey Jacobson, a self-taught photographer from New York City who spent decades in the southern Mexican highlands documenting the lives of the indigenous Indian peoples, died on July 26 in San Cristóbal de las Casas, Mexico, in the state of Chiapas. She was 97.

The cause was heart failure, said a friend, Janet Schwartz.

Ms. Jacobson was eking out a living in New York City doing mechanical drafting when she first visited San Cristóbal in 1956, intending only a short stay. Instead she found a place she called “the solution to everything,” and, with her companion, Janet Marren, a painter, settled there for the rest of her life.

She took up photography with a borrowed Rolleiflex camera. Patiently exploring the colorful city, the central marketplace for the Mayan-speaking Indian villages of the region, she won the trust of the often camera-shy locals and taught herself the craft of making black-and-white pictures from what she saw in its cobblestone streets and muddy byways, in its dramatic landscapes and weather events, and perhaps most of all, in the faces of the inhabitants. Her portraits were haunting.

“She had to read how-to-do books on developing and ask Americans to bring paper and chemicals when they came this way to visit,” Ms. Schwartz wrote in an e-mail message on Wednesday.

The results, about 14,000 negatives produced mostly from the 1960s to the 1980s, describe the local daily life, its mercantile, religious and familial rites, in sensitive detail. They are destined for the Na Bolom Museum in San Cristóbal, Ms. Schwartz said.


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Meir Samel, Photographer: Prostitute on Highway 1

Prostitute On Highway 1 -1996: Photo by Photographer Meir Samel - photo.net


Prostitute On Highway 1 -1996
By: Meir Samel | View Full Portfolio (650 images)

Tags: -1996 1 highway hollywood nikon 52mm uv nikon af 50mm f18 nikon f4s prostitute
Equipment: Nikon F4S, Nikon 52mm UV, Nikon AF 50mm f/1.8


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Child Labor, 1910

Donnie Cole: 1910 | Shorpy Photo Archive


November 1910. Birmingham, Alabama. "Donnie Cole. 'Our baby doffer,' they called him. This is one of the machines he has been working at for some months at the Avondale Mills. Said, after hesitation, 'I'm 12,' and another small boy added, 'He can't work unless he's twelve.' Child labor regulations conspicuously posted in the mill." Photograph and caption by Lewis Wickes Hine.


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Sunday, August 9, 2009

Leon Gimpel: Autochrome Photography, 1915

TYWKIWDBI: "The Grenata Street Army" - color photos from 1915

Leon Gimpel was one of the first and perhaps one of the finest "autochrome" photographers. Working out of Paris in the early 1900s, he published some of the world's first color photographs when L'Illustration printed his autochromes of soldiers and of royalty visiting France. His most famous photos are those of children from Grenata Street (more pix from the set here).


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Saturday, August 8, 2009

Taking the Long View: Pinhole Photo Exposed for 6 Months

Six-Month-Long Camera Exposure Shows Both Winter and Summer Solstices - pinhole photography - Gizmodo


Gizmodo writes:

Justin Quinnell left his homemade pinhole camera continuously exposed for a whopping six months to capture this incredible photo of Saint Mary Redcliffe Church in the UK.

Those individual lines are images of the sun trailing across the sky: The lowest one is the winter solstice, captured on December 22nd, and the highest one is the summer solstice, which took place on June 20th. Quinnell, a professional pinhole photographer (he consulted and shot The Brothers Bloom as well) has done this kind of very long-term exposure before, including another six-month shot of his hometown of Bristol, but it's not the easiest project to undertake:


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