Things went smoothly for the first hour of the Twitter experiment at Trinity Church in Manhattan on Good Friday in April.
While hundreds of worshipers watched the traditional dramatization of the Crucifixion from pews in the church, one of New York’s oldest, thousands more around the world followed along on smartphones and computers as a staff member tweeted short bursts of dialogue and setting (“Darkness and earthquake,” “Crucify him!”).
The trouble began in the second hour.
Twitter’s interactivity — its essence — made it easy for an anonymous text-messager to insert an unscripted character into the Passion play: a Roman guard who breezily claimed, “I’ve got dibs on his robe.” When another texter introduced a rogue Mary Magdalene, the intrusion only confirmed the obvious: Twitter’s trademark limit of 140 characters per message is no bar against crudity.
link: Our Father, Lead Us to Tweet, and Forgive the Trespassers - NYTimes.com
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